(According to Gavin, the team moved in July of 1991 and they had to be in production by October 1.) Selick set up an animation studio (Skellington Productions) in San Francisco and stocked a 40,000-square-foot studio space with 120 specialized animators, artists and technicians. The answer to both problems was the involvement of Selick, Burton's old animator chum from Disney, who was brought on by Heinrichs ("I'm from the same planet, if not the same neighborhood, as Tim," Selick says in the promotional making-of doc). Co-producer Kathleen Gavin, in a documentary released around the same time as the movie, said: "When Tim Burton went back to Disney a couple of years ago and said, 'You have a project of mine I'm still interested in doing,' they dug out not only his treatment, but they dug out a lot of his artwork." In the video, you can see a distinctly Tim Burton sketch of Jack, with the words "It was Zero, Jack's ethereal friend, the best friend he had / But Jack didn't even notice him, which made Zero very sad," written in cursive behind Jack's slumped figure.ĭisney wanted Burton, but he was already committed to other projects Burton wanted the creative freedom to do what he wanted. In 1990, he found out that Disney still owned the rights, so he contacted them. The project had stayed on Burton's mind, even after leaving Disney and becoming one of the most successful and sought-after filmmakers in the world. But in 1984, Burton was fired from Disney (admittedly, his singular style didn't really fit in amongst all the cheery animated fables) and - for many years - the project was largely forgotten. In 1982, Disney decided to develop the story into either a short film (like "Vincent") or a holiday special (in a 1993 interview with the LA Times, Burton suggested that Vincent Price would provide narration). He also sought insight from fellow Disney animator Henry Selick, who would eventually direct the feature version. His time at Disney also allowed him to experiment - it's where he made " Vincent," a charming stop-motion short film narrated by Vincent Price, a Japanese-themed fairy tale that aired on the Disney Channel and a half-hour live-action short called " Frankenweenie."ĭuring his time at Disney, he also wrote a three-page poem called "The Nightmare Before Christmas" and worked with frequent collaborator Rick Heinrichs on concept art and storyboards. But that's exactly what he did, providing largely unused concept art and animation for forgettable fare like " The Fox and the Hound" and " The Black Cauldron." (He also contributed, even more bafflingly, to " TRON.") It's very hard to imagine Tim Burton toiling away at Walt Disney Animation, in the pre-comeback days of the early 1980s. Tim Burton Originally Developed the Idea While Working As an Animator for Disney
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |